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Klaus Wanker
"Illusion
Unlimited"
Painting
January 19th - March 17th 2007
opening reception: Friday, January 19th, 7 pm

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Frankfurt am Main,
January 2007
On January 19, 2007, Galerie Adler, in its gallery space in
Frankfurt am Main, will open the exhibition Illusion Unlimited with
the Austrian artist Klaus Wanker (*1969, Graz).
In his early works, it is usually anonymous young people, whom Klaus
Wanker represents in the poses familiar from the models of an
advertising industry that operates worldwide. He portrays young
people in wicked gear, whose appearance is oriented towards those
media models who symbolise the dream of a beautiful and successful
life in the glossy magazines. The desire to be a star is fulfilled
in his pictures.
In these works, the artist focused on the persons and their faces,
with the environment downgraded to second-rate status and usually at
best imprecisely defined. The yearnings and dreams of his youthful
‘stars’ were detached from time and location.
In the more recent paintings, not any more anonymous people but
professional models are shown, as the representatives of the young.
Their personality is being formed by the advertising industry. In
order to demonstrate this manipulation, advertising elements are,
like in collages, composed and interpreted anew. The works are
overlaid with barely legible scripts (representing the titles of the
works). Wanker is using an approach similar to that of the
subliminal advertising messages aimed at reaching the viewer’s
subconscious without being obtrusive.
In his current work, the models are positioned in front of urban
scenery. High-rise façades, underground rail stations and bleak
urban landscapes are the scenarios in which they pose for the
viewer. They look blasé, detached yet tinged with sadness. The
beautiful world of appearances has left them behind all on their
lonesome. Many of the new paintings are in monochrome colours, they
recall the bleak ambience of the Film Noir, in which the city
embodies the root of all evil.
In addition to the images of human beings, it is the requisites of
the consumer and media worlds, the brand-name articles that are part
of Wanker’s œuvre. Individual sneakers are blown up to the monstrous
size of two by three metres and stylised into fetish ware, consumer
icons out of all proportion. In contrast to the ethereal-looking
images of his imaginary stars, his sneakers are bursting with
colourful reality. Praying benches, real ones, installed in front of
them exaggerate the products, support the message of the artist.
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Believe in me, 2006, Oil on styrofoam,
175 x 280 cm
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Klaus
Wanker
"Here we
go again"
Painting
January, 21st - April, 2nd 2005
opening reception: Friday, January, 21st, 7 pm
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Frankfurt am Main, December 2004
Klaus Wanker stages young people, in their street wear and their
style: colourful, cool, precise.
They see themselves as models and stars from the worlds of advertising, of
show, of video-clips in the music channels. They flee from reality into
the glamour of Imaginary Stardom. They live in the big cities, being alone,
frail, hypersensitive. They long for love and, at the same time, want to
be tough and strong - and cool. Therefore they resort to style, hide
behind a mask.
In Imaginary Stardom they feel safe; there they present themselves as
VIPs. With their street wear, sun glasses, sneakers and plastic bags, with
the symbolism of brands and logos, labels and badges they show up as dream
persons and communicate their attitudes and messages - by slogans with and
without meaning on their T-shirts, which appear like graffiti on the walls
of subway tubes.
Men and women, the stars of Imaginary Stardom, are products of the media,
the fashion and beauty industries; bar-codes are identifying the
individuals. Klaus Wanker lets his persons come across emotionless, static,
cool. With the smooth surfaces of the paintings he freezes the faces of
youth.
In the exhibition "Here We Go Again" Gallery Adler presents the newest
works by Klaus Wanker. The artist pursues his topic of Imaginary Stardom,
enhancing the coolness of the persons by monochrome painting. Slogans in
the background of some of the new works remind one of the surreptitious
advertisements in Hollywood motion pictures.
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